Montserrat, 2015 - 2019, collected detritus and images from Montserrat, Can Serrat, and Barcelona on tape, primer, oil, ripped photograph remains, found wood, 71” x 84” x 3”
Untitled, 2011, two planks of green teak wood cut and assembled, 8’ x 6.5” x 6.5”
Untitled (detail, cure cut circle), 2011, white ash wood, 5” x 7’ x 5’
Untitled (cure cut circle), 2011, white ash wood, 5” x 7’ x 5’
Untitled (stacked dowel jointed spiral), 2011, poplar wood, 3’ x 12’ x 7’
Untitled (detail, stacked dowel jointed spiral), 2011, poplar wood, 3’ x 12’ x 7’
Venus of Willendorf stands strong, 2010, bronze, 5” x 4” x 3”
Untitled, 2013, Sculpey formed on wall, various
It was the whiteness of the whale that above all things appalled me., 2015, found wood, wire, joint compound, wood glue, wheat paste, plaster, paper, ink, 82” x 28” x 5”
It was the whiteness of the whale that above all things appalled me., 2015, found wood, wire, joint compound, wood glue, wheat paste, plaster, paper, ink, 82” x 28” x 5”
A dumb blankness, full of meaning, 2015, deconstructed white picket fence wood, wire, epoxy, clay, rock, shirt, paint, 180” x 2.5” x 1”
Precisely, 2013, wax and hair from artist’s body, 3.5” x 11” x .5”
Precisely, 2013, wax and hair from artist’s body installed in restroom stall, 3.5” x 11” x .5”
Soap bust of Ric Petry, 2013, cast soap of Ric Petry, director of CCAD’s MFA programs, 20” x 18” x 7” and variable with use
Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 9” x 6” x 5”
Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 6” x 9” x 7”
Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 5” x 12” x 6”
Goodbye, 2006, Urns of ashes of old photographs burned (exhausted), found medicine cabinet, 29.5” x 24” x 7”
Goodbye, 2006, Urns of ashes of old photographs burned (exhausted), found medicine cabinet, 29.5” x 24” x 7”
(in process), 2022 - , metal photograph from digital image of aerial image over western US, found wood reassembled, 42” x 6.5” x 3.5”
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Collage as object cast into mold from found object (table leg from an alley find)
(in process), 2022 - , kombucha and welded found steel, 12” x 5” x 5”
Montserrat, 2015 - 2019, collected detritus and images from Montserrat, Can Serrat, and Barcelona on tape, primer, oil, ripped photograph remains, found wood, 71” x 84” x 3”
Untitled, 2011, two planks of green teak wood cut and assembled, 8’ x 6.5” x 6.5”
Untitled (detail, cure cut circle), 2011, white ash wood, 5” x 7’ x 5’
Untitled (cure cut circle), 2011, white ash wood, 5” x 7’ x 5’
Untitled (stacked dowel jointed spiral), 2011, poplar wood, 3’ x 12’ x 7’
Untitled (detail, stacked dowel jointed spiral), 2011, poplar wood, 3’ x 12’ x 7’
Venus of Willendorf stands strong, 2010, bronze, 5” x 4” x 3”
Untitled, 2013, Sculpey formed on wall, various
It was the whiteness of the whale that above all things appalled me., 2015, found wood, wire, joint compound, wood glue, wheat paste, plaster, paper, ink, 82” x 28” x 5”
It was the whiteness of the whale that above all things appalled me., 2015, found wood, wire, joint compound, wood glue, wheat paste, plaster, paper, ink, 82” x 28” x 5”
A dumb blankness, full of meaning, 2015, deconstructed white picket fence wood, wire, epoxy, clay, rock, shirt, paint, 180” x 2.5” x 1”
Precisely, 2013, wax and hair from artist’s body, 3.5” x 11” x .5”
Precisely, 2013, wax and hair from artist’s body installed in restroom stall, 3.5” x 11” x .5”
Soap bust of Ric Petry, 2013, cast soap of Ric Petry, director of CCAD’s MFA programs, 20” x 18” x 7” and variable with use
Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 9” x 6” x 5”
Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 6” x 9” x 7”
Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 5” x 12” x 6”
Goodbye, 2006, Urns of ashes of old photographs burned (exhausted), found medicine cabinet, 29.5” x 24” x 7”
Goodbye, 2006, Urns of ashes of old photographs burned (exhausted), found medicine cabinet, 29.5” x 24” x 7”
(in process), 2022 - , metal photograph from digital image of aerial image over western US, found wood reassembled, 42” x 6.5” x 3.5”
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Collage as object cast into mold from found object (table leg from an alley find)
(in process), 2022 - , kombucha and welded found steel, 12” x 5” x 5”