








Montserrat, 2015 - 2019, collected detritus and images from Montserrat, Can Serrat, and Barcelona on tape, primer, oil, ripped photograph remains, found wood, 71” x 84” x 3”











Untitled (cure cut circle), 2011, white ash wood, 5” x 7’ x 5’

Untitled (detail, cure cut circle), 2011, white ash wood, 5” x 7’ x 5’

Untitled (stacked dowel jointed spiral), 2011, poplar wood, 3’ x 12’ x 7’

Untitled (detail, stacked dowel jointed spiral), 2011, poplar wood, 3’ x 12’ x 7’
Untitled, 2011, two planks of green teak wood cut and assembled, 8’ x 6.5” x 6.5”

Untitled, 2013, Sculpey formed on wall, various

Venus of Willendorf stands strong, 2010, bronze, 5” x 4” x 3”



It was the whiteness of the whale that above all things appalled me., 2015, found wood, wire, joint compound, wood glue, wheat paste, plaster, paper, ink, 82” x 28” x 5”

It was the whiteness of the whale that above all things appalled me., 2015, found wood, wire, joint compound, wood glue, wheat paste, plaster, paper, ink, 82” x 28” x 5”


A dumb blankness, full of meaning, 2015, deconstructed white picket fence wood, wire, epoxy, clay, rock, shirt, paint, 180” x 2.5” x 1”

Precisely, 2013, wax and hair from artist’s body, 3.5” x 11” x .5”

Precisely, 2013, wax and hair from artist’s body installed in restroom stall, 3.5” x 11” x .5”

Soap bust of Ric Petry, 2013, cast soap of Ric Petry, director of CCAD’s MFA programs, 20” x 18” x 7” and variable with use

Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 9” x 6” x 5”

Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 6” x 9” x 7”

Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 5” x 12” x 6”

Goodbye, 2006, Urns of ashes of old photographs burned (exhausted), found medicine cabinet, 29.5” x 24” x 7”

Goodbye, 2006, Urns of ashes of old photographs burned (exhausted), found medicine cabinet, 29.5” x 24” x 7”













(in process), 2022 - , metal photograph from digital image of aerial image over western US, found wood reassembled, 42” x 6.5” x 3.5”


Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)

Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)

Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)

Collage as object cast into mold from found object (table leg from an alley find)

(in process), 2022 - , kombucha and welded found steel, 12” x 5” x 5”


























































Montserrat, 2015 - 2019, collected detritus and images from Montserrat, Can Serrat, and Barcelona on tape, primer, oil, ripped photograph remains, found wood, 71” x 84” x 3”
Untitled (cure cut circle), 2011, white ash wood, 5” x 7’ x 5’
Untitled (detail, cure cut circle), 2011, white ash wood, 5” x 7’ x 5’
Untitled (stacked dowel jointed spiral), 2011, poplar wood, 3’ x 12’ x 7’
Untitled (detail, stacked dowel jointed spiral), 2011, poplar wood, 3’ x 12’ x 7’
Untitled, 2011, two planks of green teak wood cut and assembled, 8’ x 6.5” x 6.5”
Untitled, 2013, Sculpey formed on wall, various
Venus of Willendorf stands strong, 2010, bronze, 5” x 4” x 3”
It was the whiteness of the whale that above all things appalled me., 2015, found wood, wire, joint compound, wood glue, wheat paste, plaster, paper, ink, 82” x 28” x 5”
It was the whiteness of the whale that above all things appalled me., 2015, found wood, wire, joint compound, wood glue, wheat paste, plaster, paper, ink, 82” x 28” x 5”
A dumb blankness, full of meaning, 2015, deconstructed white picket fence wood, wire, epoxy, clay, rock, shirt, paint, 180” x 2.5” x 1”
Precisely, 2013, wax and hair from artist’s body, 3.5” x 11” x .5”
Precisely, 2013, wax and hair from artist’s body installed in restroom stall, 3.5” x 11” x .5”
Soap bust of Ric Petry, 2013, cast soap of Ric Petry, director of CCAD’s MFA programs, 20” x 18” x 7” and variable with use
Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 9” x 6” x 5”
Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 6” x 9” x 7”
Porcelain intestines, 2013, porcelain mounted on restroom sink as part of “In Loo” exhibition, 5” x 12” x 6”
Goodbye, 2006, Urns of ashes of old photographs burned (exhausted), found medicine cabinet, 29.5” x 24” x 7”
Goodbye, 2006, Urns of ashes of old photographs burned (exhausted), found medicine cabinet, 29.5” x 24” x 7”
(in process), 2022 - , metal photograph from digital image of aerial image over western US, found wood reassembled, 42” x 6.5” x 3.5”
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Roots, Ogwehoweh, 2012, downtown Columbus Ohio Arts Pop-Up Project (CAP-UP) Columbus’ Bicentennial, burned native wood portraying portraits of First Nations people in early 1800s, native medicinal plants, dirt, moss, 7' x 25' x 4' (overall installation)
Collage as object cast into mold from found object (table leg from an alley find)
(in process), 2022 - , kombucha and welded found steel, 12” x 5” x 5”